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Local Open Mic Night Host Claims He's 'Cultivating the Next Dave Chappelle,' Actually Just Collecting Unpaid Sets

The proprietor of a struggling open mic night is accused of exploiting aspiring comedians while spending lavishly on personal eccentricities.

2 min read
The Interrogator's Inquiry
Local Open Mic Night Host Claims He's 'Cultivating the Next Dave Chappelle,' Actually Just Collecting Unpaid Sets
MILLTOWN - Bartholomew “Barty” Bingley, proprietor of the notoriously damp and sparsely attended ‘Chuckles & Crumbs’ open mic night at the Rusty Mug tavern, has been making increasingly grandiose claims about his role in the future of comedy. Bingley, a man whose own stand-up routine peaked in 2008 with a bit about airline peanuts, insists he’s “discovering raw talent” and “nurturing the comedic voices of tomorrow.” However, a *Comedian’s Corner* investigation reveals a far less altruistic motive. Multiple aspiring comedians, speaking on condition of anonymity (mostly because they fear Bingley will ban them from the five-minute slots), allege Bingley consistently fails to pay performers, citing “venue expenses” and “the inherent value of stage time.” “He told me exposure was payment enough,” lamented Brenda McMillan, a performance poet who attempted a spoken-word set about the existential dread of Tupperware. “Exposure to what? Mold? The faint smell of regret?” Our investigation uncovered a ledger detailing Bingley’s ‘talent acquisition’ costs – which are, unsurprisingly, zero. Instead, the ledger reveals significant spending on vintage novelty ties and a subscription to ‘Antique Joke Monthly.’ When confronted with the allegations, Bingley responded with a rambling monologue about the “sacrifices” required to be a comedy “visionary” and then attempted to pitch us a bit about a talking squirrel. We politely declined. The Rusty Mug’s owner, meanwhile, simply shrugged and offered us a complimentary (and suspiciously lukewarm) pretzel. It appears Barty Bingley isn’t building a comedy empire; he’s building a very specific kind of exploitation, one five-minute set at a time.

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