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Macro Photographer Spends $14,000 on Equipment to Discover Breakfast Cereal Is Terrifying Up Close

The award-winning photographer's 10x image of a single Cheerio has been described as 'Lovecraftian' by viewers who will never eat breakfast the same way again.

2 min read
The Macro Monitor
Macro Photographer Spends $14,000 on Equipment to Discover Breakfast Cereal Is Terrifying Up Close
Professional macro photographer Iris Diffraction has published a series of extreme close-up images of common breakfast cereals that have been widely described as 'deeply upsetting' by viewers unfamiliar with the textural reality of processed grains at 10x magnification. The series, titled 'Breaking Fast,' features 24 images shot using a Canon MP-E 65mm macro lens, a motorized focus rail, and a custom diffusion rig that Diffraction estimates cost approximately $14,000 to assemble. 'I wanted to explore the hidden landscape of everyday foods,' Diffraction explained. 'What I found was a topography of craters, ridges, and porous cavities that looks less like breakfast and more like the surface of a hostile exoplanet.' The most discussed image in the series depicts a single Cheerio at 10x magnification. The familiar toroidal shape is barely recognizable; instead, viewers see a cratered, pockmarked ring of what appears to be volcanic rock, its surface dotted with irregular voids and crystalline deposits that Diffraction identifies as 'residual sugar formations.' 'I'm never eating Cheerios again,' read the most upvoted comment on the photography forum where the series was first posted. 'This looks like the One Ring if it had smallpox.' A Rice Krispie, magnified to 8x, revealed an internal structure of interconnected air chambers that one commenter compared to 'a termite mound designed by H.R. Giger.' A single Froot Loop at 5x magnification was described as 'an alien artifact that no child should be putting in their mouth.' General Mills has not commented on the images. Diffraction notes that the cereals are 'perfectly safe to eat' and that 'everything looks alarming at sufficient magnification, including the human tongue, which I photographed last year and still have nightmares about.' The series has been nominated for a Close-Up Photographer of the Year award.

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