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Dorian Loomis Fails to Mediate Dispute Over Whether 'Hairline' Counts as 'VG+'

Both parties still own the copy.

Nadim Saba 3 min read The Vinyl Vanguard
Dorian Loomis Fails to Mediate Dispute Over Whether 'Hairline' Counts as 'VG+'

"The hairline is not a crack," Dorian Loomis said, which is how every hour of Dorian's mediation begins and why every hour of Dorian's mediation ends the same way.

The record is a 1974 pressing in question at a Tuesday table, listed as VG+ by the seller and demoted to VG by the buyer after a lamp was introduced. The hairline in question runs about twelve millimetres across the playing surface at roughly 90 millimetres from the spindle. Both parties agree on the hairline. They disagree on what a hairline is.

"It's a light surface mark," the seller said. "It's a scratch," the buyer said. "It's a hairline," Dorian said, and the room took this as further evidence against him.

Gideon's Denominator, for the record. At 33⅓ rpm the platter makes one turn every 1.8 seconds. A twelve-millimetre radial mark crossing a groove pitch of about 0.042 millimetres per revolution puts the stylus across that mark somewhere near 285 times in one pass, give or take the pitch of the inner grooves, which tightens late in the side. Twenty-five turnovers on either side of that estimate. The seller counted nine audible ticks on side A. The buyer counted eleven and found twelve more on side B that the seller could not hear with the same lamp at the same angle. That last figure is where the uncertainty lives: not in the scratch, which is measured, but in the ears, which are not.

Dorian's compromise was "VG+ (visual)," written into the notes field. Both parties rejected it within four seconds. The seller objected that a parenthesis in the notes is a grade with an asterisk, and asterisks travel worse than scratches. The buyer objected that a parenthesis in the notes is a seller grading himself. Dorian, who proposed it, was held responsible for both objections.

Rhea Marrow, who has been warning the table since the lamp was first purchased, said she predicted this in the spring: that grading disputes would migrate from groove wear to light source, from what the record had endured to what the room was willing to illuminate. She has been reminding everyone ever since, in a tone that suggests she would rather the record had simply worn out.

The escalation came from Silas Vale, whose monthly vinyl update quietly introduced a distinction between a hairline that advances through the groove wall and one that does not. The distinction was, by Silas's own footnote, provisional. It is now the framework both parties cite, each believing the other has conceded under it. Neither has. The footnote has never been located.

"I've mediated harder rooms," Dorian said, which is true, and which nobody at the table had asked.

What the parties wanted, in the end, was not a ruling. A grade is a claim about a sound nobody at the table has made yet, and both sides wanted someone who did not own the record to confirm that claim on their behalf. Dorian owns no copy of it. That is precisely why both sides blamed him.

They left with the same pressing, the same hairline, and the same 285 crossings, arranged now as a permanent correspondence.

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